Wundersaar

WhimSeaCall or a whimsical call from the sea, a rinvigourating allegorical swim in the alchemical archetype of the Red Sea otherwise hinting at the blackest dead sea of the unconscious performed on a black sun shore of an Italian coastline with harbour landscape in the background reminding the relation of the psyche to its environment. On that liminality the mare magnum is the canopy of the secreto secretorum once revealed to the great Alexander Magnum and tonight to a woman.

A psychedelic agent discovers her Third Eye: a rollicking romp of antics between two secret agents colleagues. Only seemingly a low profile appointment. Half backroom and hail-fellow-well-met, half acutely yet inconspicuously earnest, almost solemn. After all it is matter of nothing less than briefing latest instructions concerning an untrained new approach to the missions, where the agents have to quickly master esoteric techniques for improving their insight abilities.

H(o)me(o)pa®t(h)y is a home entertainment healing system based on Homoeopathic medicine which one can at least to a certain extent autonomously manage as first aid tool, if you are skilled enough. As an allusion to David Cronenberg's Videodrome where the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers by establishing a new TV show dedicated to torture and punishment, H(o)me(o)pa®t(h)y instead is based on joy and healing. But will there be an overdose of globules? Insert 1 globules and start your solo home party! Cure yourself on so many occasions and relive a full relief. Your own H(o)me(o)pa®t(h)y kit is now available. Don't worry, be homoeopathic!

The world is an enduring war theatre. Perhaps because it’s a men’s world? When cast in such a set women try to play out all their means, even performing a sad joy division or bowing down like a poor little thing. This in spite of being a fierce partisan or a tactical guerrilla expert. The world is either a repeating making up of the same actions, as in the movements necessary for the make-up moment, every single day. Persisting like a waterproof mascara – but will it alike prove itself bulletproof too? I guess no, a mascara can only be more or less dramatic. Like in a recrudescing war against more natural habits, occurring at large in the world theatre.

Queen of the Luna Par(k)ing is a moving image produced by Sara Ferro and Chris Weil. The title itself is a combination of the element moon (from the Italian “luna” ) shining over a parking slot, where a girl is waiting for encountering someone, perhaps the king of the luna park. While acting in the gap of certainties like a lonely queen the moonshine splits its aura into the colours red/blue/yellow, interpreting the interstellar communication signals of Voyager 1 launched by the NASA in 1977. Exactly the year when the protagonist Wundersaar (Luna Queen) was born. Therefore the journey of the Voyager space probe can be seen as a metaphor for the expedition of every human being discovering the unknown in the deep space of life.

A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.

Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.

Reversed gender surrender of an acid society that obeys mainstream restrictions and prescriptions of how and what to be.