Aleksandr Anisimov

As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoyevsky casts a critical eye on both the radical idealists, portraying their ideas and ideological foundation as demonic, and the conservative establishment's ineptitude in dealing with those ideas and their social consequences.

In 1957 French student Pierre Durand comes to Moscow to do an internship at Moscow State University. Here he meets ballerina Kira Galkina and photographer Valera Uspenskiy. With them he discovers the cultural side of Moscow — not just the traditional one, but the underground one as well. During his year in Russia’s capital Pierre lives an entirely different life than what he’s used to. But the internship and the experience of the Soviet people’s way of life are not the only things Pierre is after. He’s searching for his father, White officer Tatishchev, who was arrested in the 1930s.

The main character, whose life seemed to have lost all meaning, suddenly receives an inheritance abroad. This leads to the most unexpected consequences, the most important of which is a new, this time happy, meeting with your beloved.

Условный мент

Russian detectives unwind the ball of the most intricate and cruel crimes. They are consummate professionals, the best cops in town. Even on the most dangerous missions, this quartet never loses their sense of humor. It is it that helps them find the most incredible ways out of any situation. They uphold the law and emerge victorious.

Russian detectives unwind the ball of the most intricate and cruel crimes. They are consummate professionals, the best cops in town. Even on the most dangerous missions, this quartet never loses their sense of humor. It is it that helps them find the most incredible ways out of any situation. They uphold the law and emerge victorious.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?