Nitya Ganguly

A couple marry in order to save the bride from her father's choice of groom, but they don't actually love each other. It's "make it work" time.

Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create 'mock' crisis on the streets. The aim was to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is MOCK or REAL.

Andarkahini is a saga of womanhood in the correlative context of human relationships and complex society.

What is a name? Is it merely a word? A name of a person denotes his/her external identity. It is related to each and every social action and reaction of a person with other persons. The film deals with the plight of the protagonist whose name has changed overnight. The problem aggravates when the changed name connotes religious and cultural differences when Shymal (a Hindu name) or Salim (a Muslim name), the protagonist becomes Salim or Shyamal. The film brings into focus the crisis in his life and the pain of being ostracized and alienated by everyone that matters to him. In such a situation of loneliness, Shyamal identifies with his next-door neighbor who has also been alienated and is fighting his lonely existence.

Detective Feluda, with the help of his nephew Topshe and the writer Jatayu, investigates smuggling and illegal trading in ancient sculptures across India.

Amarnath (Rajat Ganguly) is an opposition party leader and wants to stage his own attempted assassination to garner the sympathy vote in the upcoming election. His colleague Shubhankar Banerjee (Biplab Chatterjee) hooks him up with Raja (Jeet). Ganguly is killed by Joy (Indrajit Chakraborty). Police immediately surround the skyscraper. Raja assumes that Joy has died in the accident. Raja goes to the top of the building with the police in pursuit. A passing train offers Raja an escape with a rope to land on the train.

Shakya, an aspiring film director, desperately tries to find a producer for his project. Later, he is forced to remake popular South Indian movies in the hopes of raising funds for his dream film.