Gabriel Stippe

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.

Four city workers in their daily important relationships. A worker in the field of the Landless Rural Workers Movement. Poetry plucked like weed from the soil of our time.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

Junior awaits the arrival of his float so he can finally get into the pool.