Nina Dziembrowski

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

When her grandmother becomes seriously ill, Camila is forced to move to Buenos Aires, leaving behind a liberal public high school for a scholastic, traditional private institution. Suddenly a senior without any friends, and with her single mother caught up in family affairs; Camila's fierce yet immature temperament is put to the test as she deals with the jarring change of scenery, and the alluring set of possibilities and experiences that lie in wait in the big city.

El villano

On graduation day, Bruno finally managed to charm the girl of his dreams into visiting his place. He had gone the extra mile to ensure a sweet rendezvous with Abril, even going as far as locking up his lively mother, Elena. But his picture-perfect day takes an unexpected twist when Abril arrives with her boyfriend and a rowdy bunch of friends. As if that weren't enough, Elena decides to make her grand entrance, leaving Bruno utterly disheartened…