Moshira Ismaeil

The fugitive Sayed seeks refuge with his uncle who works as a cook for a wealthy family. When the family's daughter gets divorced for the third time, the family enlist Sayed's help to marry her as a mohallel so she could reunite with her husband.

Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)