Ewald Althans

Documentary filmmaker Troller criss-crosses post-reunified “Transgermania” for a year, probing German identity through festivals (Carnival, Oktoberfest), films, small towns and big cities. He attends a Black–Bavarian wedding at an “animal fair,” chats with chimney sweeps, students, artists and elites (from Grass to Müller), and asks uneasy questions about unity, memory and the future - all from his outsider’s lens.

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”

Seldom does a documentary film accomplish so much as Beruf Neonazi. Aside from the rather frightening look into the current world of holocaust denial and pro Hitler ideology, the contents of the film were used as evidence to secure a court conviction.

Based on interviews with leading Neonazis and Holocaust deniers, as well as archival material from conspiratorial meetings, the film briefly reveals the state of the German Neonazi scene.