Two merry partners, fleshy roses and an improvised dance celebrate this glamrock jewel that glorifies the ambiguity of desire.
Extracts of Le Chant d'Amour (1950) by Jean Genet, absolute fetish movie-poem, are screened as moving tattoos on a lying body who surrenders to bites of sensuousness.
'A series of tableaux deconstruct the inward journey of Francois Jane, marred by his obsession with Charlotte. By turns illuminating and self-destructive, they navigate separate delusional worlds tearing at each other's masks.'
