Uwe Schmieder

Hiroshima, Japan: A giant monster attacks a fishing boat and devours the crew. Frankenstein expert Russ Adams and radiation researcher Takako Mizuno are suspicious. Does this have anything to do with the radioactively mutated creature they raised years ago and that had been swallowed by an earthquake? Could a new being have developed from its cell remains, one that is so closely connected to nature in the depths of the sea, that it now regards humans as a natural enemy? A lively, experimantal mix between stage play, radio play and Japanese monster movie unfolds.

Separated by the realities of their day to day lives, the twins Rebecca and Carlo find themselves forced to co-habit and find closure to a chapter in their young lives. A thin line between intimacy and unfamiliarity, they are confronted with a shared past and the fragility of their memories.

It's 1973, the scene is New York, there's a strange virus, a penis transplant, a saw and a stick of leeks: Adam is not successful with women and has a rather tiny penis, but his friend Dick is a very successful lover, owning "the largest cock in town". When Dick suddenly dies of the virus, Adam sees his chance for a better genital area. But does the shady Dr. Cockburn really know what he's doing? Why does poor Adam change into a sex maniac? Originally a stage play by Jörg Buttgereit, has this been photographed for the screen by Thilo Gosejohann, formally based on a radio play by Jörg Buttgereit.

Luka, Aleks, Tasnim and Freya are a tightly-knit group. At the beginning of their long-awaited future, an unplanned act of violence drives the four to the edge of their friendship.

Westfalia, 1873: Pillage and murder put the future existence of Hans' farm at stake. The farmer has to defend his remaining daughter and their goods against man and nature. A struggle of life and death begins.

This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.

Das Leben ist sonnig und schön