Laura Giannatiempo

Walter is an unpleasant man, dirty, a small-time middleman, a third class swindler. He lives in an old station wagon full of dirt and scraps of a lifetime. In that car, Walter eats, sleeps, receives young customers to whom he promises to break into the show business, as long as they are willing to do anything and in exchange for a bribe. His bodyguard is always by his side, he's too old and smells. He's own faithful life companion: A Rottweiler named Blackie and he's dying.

25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, quickly rising through the ranks of the company, but experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees. Around her revolve people like delusional supervisor Daniela, her boss Claudio, fragile coworker Lucio, and well-meaning but inconsistent union rep Giorgio.

In a dystopian Rome, a law is enforced which does not allow immigrant families to have more than three children. If a fourth is to be expected, he or she must be born, however, one of them must then be killed, giving the females priority for sacrifice. Zoe, Iris and Clio are three sisters, but one of them will soon be killed. Tria is a tragic story, suspended between life and death, set in the home of a family that has accepted to sacrifice its integrity in order to carve out a place in the world. A dystopian story, yet not so far from what could happen, or what, somewhere else, may have already happened.

In a world without food and overgrown with plastic, Zigle Clinic test a new food re-educate method