Jean Douchet

"Matins calmes à Séoul" par Jean Douchet

"Faust" par Jean Douchet

"Three's a Crowd" par Jean Douchet - décembre 2015

"Three's a Crowd" par Jean Douchet - mars 2015

Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.

The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sadomasochist tendencies, and the intrusion of a very free-spirited maid and her husband. And it all started with the arrival in the family of an innocent looking rat.

Benoit has his life all planned out before him. Unfortunately, he had totally forgotten to include his military service. Inevitably called into duty, he tries everything he can to avoid it, eventually launching into a hedonistic lifestyle—out of control with drugs, alcohol, and nightclubs.

Documentary about director Jean-Luc Godard and Anna Karina. In 1960, Jean-Luc Godard films for the first time Anna Karina and falls in love. His cinema is transformed by it forever. Spanned from "Little Soldier" to "Crazy Pete" through "A Woman is a Woman", "My Life to Live" andd "Alphaville", this documentary tells how, during five years , Godard and Karina consciously mixed cinema and private life, with constant will to film "as in true life" and to live "as in film"

Made for "Cinéma, de notre temps" series. In a peaceful residence near the Loire River, Chabrol raised his favorite characters : monsters. In this documentary, we can see him actively working on the adaptation of Simenon's novel "Betty", and answering the questions posed by Jean Douchet (his former colleagues at the magazine "Cahiers du Cinéma"). Excerpts from The Butcher (Le Boucher), Violette Nozière, The Hatter's Ghost (Les Fantômes du chapelier) and Masks (Masques) will punctuate their meaningful and witty conversation.

When he loses his position as a powerful government minister, Vincent is dropped by his pretty mistress and must begin life anew, without the privileges of power. As he gradually becomes acquainted with milieus which he d either forgotten or never known and a host of sometimes eccentric, often remarkable everyday people, Vincent really begins to start living again.

"Spring Breakers" par Jean Douchet

Part of the Cinéastes de notre temps series.

"Pierrot le Fou" par Jean Douchet

"Viaggio in Italia" par Jean Douchet

For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.

A man looks for a job, ignoring the selection process of employees. Part of "Contes modernes: A propos du travail."

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

Julie, a daydreaming librarian, meets Céline, an enigmatic magician, and together they become the heroines of a time-warping adventure involving a haunted house, psychotropic candy, and a murder-mystery melodrama.

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

An overview of the life and work of legendary Japanese filmmaker Kijû Yoshida, a notable figure of the Japanese New Wave.

A group of friends listen as one man tells them a story about a time when, in a small cafe, he discovered a peephole into the ladies' bathroom and became addicted to looking through it at female genitals. They ask him questions and come to conclusions about sex. This is a filmed, scripted version. Then, the actual person who this happened to relates the same story; this time, however, it is an unscripted documentary, in which the same things occur as in the scripted one.

When Michèle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving family, all the while becoming engaged in a game of cat and mouse with her stalker.

After receiving a visit from a messenger of God, João de Deus wins his buddy's girlfriend through a roll of the dice.

Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of Cahiers du Cinema and this art of loving to which he has devoted his existence.

A documentary about Yoshishige (Kijû) Yoshida's creative process for his most significant film, the 1969 avantgarde tour-de-force Eros + Massacre (1969).

Éric Rohmer's short for the portmanteau film Paris vu par (Six in Paris, 1965), concerning a haberdasher and his umbrella. Convinced he has killed a man, Jean-Marc flees and spends an anxious few days waiting for the death of the stranger to be reported in the newspapers...

Jean Douchet analyse « Vivre sa vie » de Jean-Luc Godard au cinéma Devosge de Dijon

Jean Douchet analyse "Deux" de Werner Schroeter à la Cinémathèque française

Claude Chabrol's Eye

The story of a dysfunctional family in Northern France. Dad is a mean abusive drunk pharmacist, mom is addicted to pills and has incestuous desire for her son, the son is skipping school to fish and daughter is mentally handicapped.

French television program discussing Jean Renoir's 1932 film "Boudu Saved from Drowning".

Jean Douchet ou l’art d’aimer

Cinématon n°66 : Jean Douchet

Cher André S. Labarthe

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Cocktail Morlock

Five, even six, variations on a theme, commentary and interpretation of the same photograph. An exercise to tell and summarize the history of the Cinémathèque française.

A strict father imposes impossible guidelines on his disabled daughter which reflect his secret and tortured life.

An ice-cream seller lusts after the female employees in his shop.

Reel 7 of Gérard Courant's on-going Cinematon series.

Four Parisian women navigate the world of romance and daily life looking to fulfill their dreams.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

Paris, Kingdom of France, August 18, 1572. To avoid the outbreak of a religious war, the Catholic princess Marguerite de Valois, sister of the feeble King Charles IX, marries the Huguenot King Henry III of Navarre.

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.