Martin Chamberlain

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

Political documentary meets baroque rave video in this computer animated portrayal of Louis XIV and his pleasure palace at Versailles. Courtiers from a Rudolf Valentino movie appear in an environment more reminiscent of Blade Runner, while shots from the Poll Tax Riots are weaved into a virtual diorama of London. Uncover the Seventeenth Century origins of our fascination with special effects, surveillance and addiction to media spectacle.

Enemy At The Door is a British television drama series made by London Weekend Television for ITV. The series was shown between 1978 and 1980 and dealt with the German occupation of Guernsey, one of the Channel Islands, during the Second World War. The programme generated a certain amount of criticism in Guernsey, particularly for being obviously filmed on Jersey despite being ostensibly set on Guernsey. The series also marked the TV debut of Anthony Head as a member of the island resistance. The theme music was by Wilfred Josephs.

This 8-part drama brings high romance, low treachery and magical adventure via a host of legendary characters: wise old Merlin, brave Sir Lancelot, King Arthur, ruler of all Britain and master of the Knights of the Round Table, the beguiling Queen Guinevere and her nemesis Morgan la Fay. Dark Ages wizard Merlin (Robert Eddison), weary of the barbarism around him, creates a new order of enlightenment and justice with a youthful Arthur (Andrew Burt) at its head. Merlin gifts Arthur with the magic legendary sword Excalibur to help him defeat the nobles who oppose his rule. But Arthur must also beware his half-sister Morgan (Maureen O'Brien), a sorceress who has sworn to kill him to avenge her father's death. As Morgan intensifies her plans to get revenge, she uses magic to draw Lancelot (David Robb) and Guinevere (Felicity Dean) into a passionate affair. But it is the still more traitorous Mordred (Steve Hodson) who will fatally halt Arthur's rule.

The gripping, decades-spanning inside story of Her Majesty Queen Elizabeth II and the Prime Ministers who shaped Britain's post-war destiny. The Crown tells the inside story of two of the most famous addresses in the world – Buckingham Palace and 10 Downing Street – and the intrigues, love lives and machinations behind the great events that shaped the second half of the 20th century. Two houses, two courts, one Crown.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.