Jeo Pakitsas

Hamlet browses his desktop. Shakespeare’s play themes become transparent through the use of media. During an evening screen-mirroring, love, grief, anti-depressants, death, self- destruction are intermixed with endless references to pop internet culture, to animation, to current affairs.

In a near-future world ravaged by environmental disaster and a deadly virus, Lina carries her infected teenage son, Aris, to a retired doctor hoping he will be able to cure him. But Aris’s infection proves extremely aggressive and Lina’s love for her son is tested as she watches him transforming into a different being.

On his last day of vacation in Greece, a young dad working abroad embarks on a quest to find a precious ice cream hoping to please his grumpy son.

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.

Two guys, one deadly virus, a city in quarantine and a lot of sexual desperation.

Go on an enriching journey from Mexico to Spain, onto Austria and then to China via Greece in these five moving short films where gay men overcome various obstacles in accepting who they are, and where they are going - things can only get better. The 5 short films are: If They Knew [Berak baleki] (2021); Xutaj (2022); Boom and Bloom [Neuzeit] (2022); Sexual Distancing (2022); And We Collide [潮汐平行时] (2021).

Following the mystery of their deaths, Father and Son are reunited in Tranzit, an arid and desolate non-place, a kind of contemporary Dantesque limbo regulated by abstract mathematical principles, where the dead face a dilemma: accept the dematerialization process or remain in indeterminacy forever. Here the memories of the Father, are confused with those of the Son, rekindling old conflicts. Trying to bring order to the past and shed light on what led to his death, the Father relies on his knowledge of mathematics to pursue a crazy idea: to come back to life.