Jamie Mac

Antoni Cimolino’s chilling production of Macbeth takes you back to the stark reality of the 11th century, when the murderous king clawed his way to power. It has been praised as “a thrilling terror,” (Globe and Mail) “a bold and brutal take on the Scottish King’s tragic tale” (Toronto Star), and “a brilliant, terrifying show” that leaves people “gasping in the dark” (Chicago Tribune). Starring Ian Lake in “a galvanizing performance as an unusually young and sexually magnetic Macbeth” (New York Times) and Krystin Pellerin as “a standout Lady Macbeth … at once adorable yet devious” (Postmedia), this is a production that will haunt your dreams and leave you tingling. All hail Macbeth!

When the King of France (Peter Hutt) demands that John (Tom McCamus) relinquish his crown in favor of his nephew, the young Prince Arthur, war is the inevitable result. Excommunication, attempted atrocity, rebellion and assassination all contribute to a political turmoil and personal grief for a mother who has lost her son.

A storm at sea brings love into the life of Pericles, Prince of Tyre – and another snatches it away. Filled with music and brilliant spectacle, this magical production of Shakespeare’s epic adventure is a delight for the eye and ear as it follows a fairy-tale hero on his miraculous journey to one of drama’s most poignant reunions. A story rarely told – and one you won’t soon forget.

Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.

A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.

When a Black man is viciously assaulted by police right outside their window, all of the guests at a dinner party seem to consider the attack unremarkable except for one.

Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.

Pursuing two respectably married women at the same time, a would-be seducer fails to anticipate that his targets will, quite literally, compare notes. Nor has he reckoned on the mischievous spirit in which the wives will use their wits and wiles to teach him the error of his ways. Set in the 1950s, in a town not unlike Stratford, Ontario, this production brings Shakespeare's rollicking comedy close to home - and close to our hearts.

Charismatic, cunning, and utterly ruthless, Richard, Duke of Gloucester is the very embodiment of lethal ambition as he maneuvers and murders his way to the throne of England.

Toronto’s only female private detective in the 1920s takes on the cases the police don’t want or can’t handle. From airplanes and booze running to American G-men, Communists and union busters, Frankie’s fearless sense of adventure gets her into all kinds of trouble, but she always manages to find her way out.

Jake Doyle and his ex-cop father, Malachy, run a Newfoundland detective agency. Their rugged seaside town never lacks for intriguing cases, and the Doyles don't always land on the right side of the law.