János Pásztor

Honour and Glory

Dollar Daddy

1932, Budapest. Gere János, an unemployed worker searching for employment in the capital, is organised into the secret police after a raid. Summary justice is declared, and the police wants to find an illegal communist press at any price. Gere, wandering about in the dark city, joins a man, helping him to carry his luggage. Slowly, Gere learns that his companion is a Communist and his task is to keep the press machine hidden from the police.

Virrad

The spring of 1919. Karikás Frigyes reorganises brigade 39 at the Tisza. His most devoted soldiers are Korbély János and his followers, who remain faithful to the political commissioner under all circumstances.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

Három csillag

Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain.

The old, sickly Demeter Lapussa is a tyrant in the family. He forces his granddaughter, the beautiful Henriette, to marry baron Hátszegi, although the girl loves the penniless Vámhidy Szilárd. The two lovers attempt to commit suicide, then are torn away from each other.

Following his wedding, Feri left the co-operative and is now working on the land of his father-in-law. Tóth is extremely wilful and thrifty, working from early morning to late night, pushing his family as well.

The Bells Have Gone to Rome

A simple, religious Hungarian woodcutter lives with his wife and boy child with a small community of squatters among the peaceful mountains of Transylvania until a lumber company claims their land and forces them all to become company workers or else leave the land. This 1942 Hungarian film takes a detailed and unflinching look at the hardships of mountain living, and the realistic approach proved influential to the Neorealist movement in Italian cinema. Hungarian master director Istvan Szots won the Biennale Cup at the Venice Film Festival for his auspicious debut, but the film was banned by the Nazis as "too Catholic" and not publicly exhibited until after World War II.

An aspiring film student is denied a scholarship to the state-funded university when his father is thrown in jail. The man had stopped a train in order to facilitate the union between two old friends. The son then takes a job as a land surveyor and meets a Greek man who works towards the collective benefits of the peasants. The man is killed in a peasant uprising prompted by a bureaucratic boondoggle. The surveyor looks after the man's widow as his emerging political and social awareness leads him take a stand against government injustice. Another incident, in which gypsies are rounded up by state hygiene workers, further galvanizes the man's beliefs. He photographs the incident, and his work allows him to be accepted into the school from which he was previously denied admission.