Ash Ashaninka

A simple Portuguese-Brazilian song. Fernando spends his time in Porto in the neighborhood of Fontainhas between a small house and a local café. A parrot reaches him from Brazil, which evokes paradise in his imagination. This gives rise to a Portuguese-Brazilian correspondence. A game of mirrorings develops over the exchange of letters between the two friends, in which ideas of each other’s country are reflected.

After losing his house for the reconstruction of the London 2012 Olympic Park, Michael is very busy in a campaign of resistance against Olympic games, and accepts the invitation from Enrico to register the narrating voice of a documentary about the Brazilian situation. Michael, in the middle of an existential crisis, leaves to find shelter in the Brazilian culture. While Enrico tries to explain him his vision of a magnificent country invaded by giant events, Marie, his fiancee, reaches him bringing with her more commitments and responsibilities. While learning to become a narrator, Michael progressively abandons his fear of death, and prepares to resist against the Oppressor, becoming the "Ultimo Cangaceiro". Brazil, today like in 1571, is a land to conquer, a prize for a war between two society models: estate and multinational promoters on the one side, housing strength and human rights defenders on the other.

Landless Evils