Eri Saitou

Yumechiyo, a geisha house madam recently diagnosed with a terminal illness, yearns to do something constructive with the little time she has left. Through her responsibility lies in taking care of her girls, she finds purpose in providing a man innocent of a false murder charge and in the process discovers love for the first time in his arms.

Having been demoted for failing to prevent the murder of one of his superiors, Mondo is startled by a group of masked thugs who are soon attacked in turn by an unseen force. He begins to suspect the work of assassins, but whose side are they on?

Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.

While her husband is in prison doing time, Tamaki, the wife of a yakuza capo, runs her spouse’s gang with an iron hand. Meanwhile, Makoto, her younger sister, marries a member of a rival band after being raped by him. The two sisters, united by blood ties but married to enemy yakuzas, will ultimately have to decide whose side they’re on.