Jonny Rios

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

11-year-old Alexander adjusts to life with his new Step-Dad, Ian, while navigating the aftermath of his parent's divorce and escaping into basketball daydreams.

Based on Michael Connelly's best-selling novels, these are the stories of relentless LAPD homicide Detective Harry Bosch who pursues justice at all costs. But behind his tireless momentum is a man who is haunted by his past and struggles to remain loyal to his personal code: “Everybody counts or nobody counts.”

From murder and espionage to terrorism and stolen submarines, a team of special agents investigates any crime that has a shred of evidence connected to Navy and Marine Corps personnel, regardless of rank or position.