Montse Ribadellas

In the 50s, a spiritualist photographer arrives in a small rural town to investigate the sudden presence of an evil entity.

The mother of ten-year-old Martina turns up late, just when the little girl is about to give up hope they might spend the afternoon together. As they have an amazing chemistry, she really wants to have her mum to herself, but all too soon she realises that her mother has not beaten her drug addiction and Martina finds herself in a hard situation yet again...

Josué's routines are violently altered the night his insane brother manages to escape.

A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.

A married woman discovers her husband is having an affair with a male prostitute and wants to meet the lover to get answers. However, her plans are interrupted when she gets a heart-stopping call from the hospital — her husband had a stroke and is lying unconscious. The wife and the lover — who fell in love with the husband — both rush to the hospital, and the remainder of the film highlights the dynamic of the two grappling with their situation as they both wait for the husband to recover in the ICU.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.