Mikhael DeVille

In this quick British comedy short, Amina is a young Muslim guitarist who recently stopped playing due to her nerves. In her pursuit of a man, she seeks the help of Lady Parts, an all-female Muslim punk trio in need of a lead guitarist.

When a frightening wave of violence sweeps through New York City, troubled cop Sarchie fails to find a rational explanation for the bizarre crimes. However, his eyes are opened to a frightening alternate reality when renegade Jesuit priest Mendoza convinces him that demonic possession may be to blame for the gruesome murders. Together, they wage a valiant supernatural struggle to rid the city of an otherworldly evil.

Within this intuitive interpretation of Pink Floyd's music, there are secrets, enigmas and metaphors. The narrative is open ended, therefore open to individual interpretation, along the lines of: In the parallel worlds of the past and the future, two tribes struggle to survive on a dying planet, while attempting to communicate with the life force of earth itself. As time runs out, a monolith approaches from outer space, carrying within it a puzzle which they fail to understand. Is it a warning, or does it contain the secret to the survival of mankind?

An anarchic, laugh-out-loud music comedy following a Muslim female punk band called Lady Parts, tracking the highs and lows of the band members as seen through the eyes of Amina Hussein — a geeky doctorate student who is recruited to be their unlikely lead guitarist.