Richard Davalos

New York City, New York, USA

Biography

From Wikipedia, the free encyclopedia Richard Davalos (born November 5, 1935) was an American actor. Davalos starred in East of Eden (1955) as James Dean's brother and portrayed the convict Blind Dick in Cool Hand Luke (1967). He won the Theatre World Award for his performance in the Arthur Miller play A Memory of Two Mondays in 1955. In the Civil War television series The Americans, broadcast by NBC in 1961, he played Jeff, the younger brother who joined Confederate Army, in opposition to Ben, the older brother (played by Darryl Hickman), who joined the Union Army. Davalos was the father of actress Elyssa Davalos and musician Dominique Davalos and grandfather of actress Alexa Davalos (The Chronicles of Riddick). An image of Davalos appears on the covers of The Smiths' albums Strangeways, Here We Come, Best...I, and ...Best II. Description above from the Wikipedia article Richard Davalos, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955