A portrait of the greats of Slovenian and Yugoslav documentary film, from his point of view, and that of his family and colleagues Karpo Aćimović-Godina, Jože Pogačnik and others.
After the war, the young totalitarian authority was afraid of Jesuits that had good connections all over the world, even in the countries Slovenian political immigrants fled to. They were accused of hostile activities and put to a framed-up trial.
