Sueli Carneiro

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

A detailed retrospective of an emblematic moment in Brazilian history, the abolition of slavery, presented from another perspective. Contrary to what was preached by textbooks and other aspects of official history for a long time, it was not merely the signature of Princess Elizabeth in the Golden Law on May 13, 1888, that freed the slaves, and neither was such a gift a gift or a step in the direction of mythological racial democracy.