Anna Proclemer

Over the course of one day, a woman carries on a vacillating conversation with her lover over several phone calls. She is at times conciliatory, playful, teasing, remorseful, sad, manipulative, depressed, understanding, patient, desperate, manipulative, cloying, and finally accepting of his final farewell. It seems her lover has now found a younger more accomadating woman who will supersede the main character. It is quite sad how he has toyed with her over the years and the efforts she takes to please him, when clearly to him she is just a garment to put on when convenient or to use when lonesome and he really does not care for her. Very well written and acted.

Il gabbiano

La pietà di novembre

Giorno di nozze

Il marito in collegio

Il fidanzamento

A race-car driver who's down on her luck is invited by her ex-husband's wife to stay at their plush villa. The two women form a bond, and it's not long before their mutual dislike for the husband culminates into a plan to kill him. As it turns out, though, they're not alone in plotting murder

This deceptively simple tale of a bored English couple travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.

No problem

A detective is assigned to investigate the mysterious murders of some Supreme Court judges.

An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.

Vittorio racconta Gassman: Una vita da mattatore

Italian televison adaptation of Fyodor Dostoevsky's novel of the same name. Although it is to all intents and purposes a television miniseries, the rhythm of the acting is typically theatrical: the long dialogues, the acting style and the actorly interpretation make it a true example of episodic television theatre.