Stephanie Houtzeel

Frank Castorf’s staging of the Ring, premiered in 2013 and filmed in 2016, provoked controversy right from the beginning. For Castorf, the Rheingold of our days is oil; thus he places the first part of the tetralogy at a gas station on Route 66. Die Walküre is situated in Baku, Azerbaijan, which was seized by the Bolsheviks in 1920 for its oil, whereas Siegfried takes place in a socialist equivalent of Mount Rushmore and at Berlin’s Alexanderplatz. Götterdämmerung is set somewhere in the GDR, ending up at New York’s stock exchange. Whilst Castorf’s staging polarized, Marek Janowski’s musical reading was unanimously praised, as was the excellent cast including in this opera Iain Paterson (Wotan), Nadine Weissmann (Erda), Albert Dohmen (Alberich) and Roberto Saccà (Loge).

Frank Castorf’s staging of the Ring, premiered in 2013 and filmed in 2016, provoked controversy right from the beginning. For Castorf, the Rheingold of our days is oil; thus he places the first part of the tetralogy at a gas station on Route 66. Die Walküre is situated in Baku, Azerbaijan, which was seized by the Bolsheviks in 1920 for its oil, whereas Siegfried takes place in a socialist equivalent of Mount Rushmore and at Berlin’s Alexanderplatz. Götterdämmerung is set somewhere in the GDR, ending up at New York’s stock exchange. Whilst Castorf’s staging polarized, Marek Janowski’s musical reading was unanimously praised, as was the excellent cast including in this opera Iain Paterson (Wotan), Nadine Weissmann (Erda), Albert Dohmen (Alberich) and Roberto Saccà (Loge)

The Ring of the Nibelung: Twilight of the Gods

This 2013 Salzburg Festival performance of Falstaff, Giuseppe Verdis late masterwork and crowning achievement, features conductor Zubin Mehta and the Vienna Philharmonic. The staging thought up by Italian director Damiano Michieletto moves the action from a fictitious London to that special care home, the Casa Verdi, a place rich in memories of great days past and impressions of a real-time present. Ambrogio Maestri seems a tailor-made Falstaff. His physique is just right for the part, as are his powerful voice, flair for drama and feeling for the Verdi style. (New York Times)