Marek Janowski

The new Bayreuth production of the Ring Cycle that premiered in 2013 offered spectacular sets, courtesy of Aleksandar Denić. As is regularly the case in Frank Castorf's productions, live video recordings add an extra dimension and in this performance Die Walküre is set at the beginning in the 19th century and then moves ahead to the Stalin era. The geographic setting is Baku, Azerbaijan, so in addition to Wild West capitalism, Castorf also takes aim at Soviet communism. The leading roles are also strongly cast in this third revival of Castorf's production, with Christopher Ventris, Heidi Melton, Catherine Foster and John Lundgren.

Frank Castorf revolutionised German-language theatre in the post-Berlin Wall era, bringing to the stage intellectual and political acuteness, brash references and a not infrequent use of crude humour. He brought these qualities to the Bayreuth Festival where his production of the Ring ran from 2013 to 2017. This 2016 recording of Das Rheingold captures Marek Janowski's festival debut as conductor of this unique production, in which Castorf replaces the Rheingold with oil as the central commodity in a pre-capitalist society. The first night of the Ring cycle begins at a gas station off of Route 66, the main road connecting the East and West coasts of the USA, that played an important role in commerce in the 1920s.

The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast for this March 12 transmission also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Frank Castorf's Ring makes a feature of unexpected settings and striking images, and here in Siegfried he shows the discussions between the young hero and his foster father Mime in Act I against a background featuring giant heads of Marx, Lenin, Stalin and Mao on a replica of Mount Rushmore. The typical mythical nature and forest world of the second act is replaced in this production by Berlin's Alexanderplatz. The Nothung sword is also replaced, in this production becoming a machine gun. While the direction elicited both approval and disapproval, the vocal performances received wide acclaim.

"Oil is the equivalent of what used to be gold. A luxury that we cannot eat," explained director Frank Castorf in an interview, outlining one of the key ideas behind his production of the Ring at Bayreuth. In the final part of the tetralogy, the wild journey ventures to the Buna chemical plants in Schkopau and to New York's Wall Street, among other places. Inspired by the aesthetic of Hollywood B movies, the production was first met with disapproval but grew to gain many supporters over the years.