Yukie Saito

Fragments of scenes from the lives of men and women who are tormented and bullied appear in this film. Using the film camera as a medium, the film attempts to objectify the never-ending time of their lives, but in fact the actions that unfold here are staged in order to generate a physical voice, and at times it seems that it is the landscape itself that witnesses their actions.

Two disaffected hoodlums, one of them of Korean ancestry; his sister, her girlfriend, and a mad scooter girl. The failure of their relationships as a critique of modern Japan.