Inma Pavon

A lone drifter suffering from partial memory loss accepts a job to look after a psychologically troubled woman in an abandoned house on an isolated island.

In 2003 Chris O'Neill spent a period of time in New York City where he shot several films on black and white 16mm film stock. One of these pieces was a silent narrative piece. 15 years later, O'Neill went back to this footage and created an entirely different film using out-takes. The conventions of the narrative are discarded as the images are re-edited into style inspired by the 'cut up' technique pioneered by author and filmmaker William S. Burroughs.

A woman reaches through a transom window over a locked door, straining into the darkness for the light switch beyond.