Leticia Dias

Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

Don Quixote, based on Miguel de Cervantes’ epic novel of the same name, regales the adventures of the eccentric nobleman Don Quixote and his faithful squire Sancho Panza, as they help to bring a vivacious young couple, Kitri and Basilio, together. This energetic 19th-century ballet is enlivened by Ludwig Minkus’ spirited score, and is a wonderful showcase for the virtuosity of The Royal Ballet's Principal dancers. Created for The Royal Ballet a decade ago, Carlos Acosta’s exuberant production brings the sunshine and charm of Spain to the Main Stage with Tim Hatley’s characterful designs.

The Royal Ballet brings their annual presentation of The Nutcracker to life, streamed in cinemas throughout the world.

Ashton gracefully reimagines Turgenev's play A Month in the country as a one-act ballet where all the drama unfolds in the family's living room upon the arrival of dashing young tutor. Characters come in and out, their feelings for one another displayed through solos and pas de deux, highlighting Ashton's talent for playing out complex drama through detailed and intricate choreography.