Cristina Pitter

The School For Wives, at its core, is about gender power dynamics. We are looking forward to telling this classic 17th century French tale through the lens of a contemporary aesthetic and an all female, primarly non-white cast to further bring into focus the inherent power of justice and equality over racism and sexism. Furthermore, by casting a Black woman in the central role of ARNOLPHE - a white man of power and privilege, who is forced to realize that he cannot control or snuff out ANYONE's humanity - we are shining a light on the ultimate absurdity of similar American systems of oppression.

A contemporary tale set in an urban, queer community that follows Mia as she explores emotional and physical intimacy.

A New York City grad student moonlighting as a dominatrix enlists her gay BFF from high school to be her assistant.

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.