Chicago Symphony Orchestra

Blending lively music and brilliant animation, this sequel to the original 'Fantasia' restores 'The Sorcerer's Apprentice' and adds seven new shorts.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

Experience what Zell Music Director Riccardo Muti calls “the work of a divine architect” in this special encore presentation of Beethoven’s Ninth Symphony. Recorded live September 18, 2014, at Orchestra Hall during one of the opening programs of the Chicago Symphony Orchestra’s 2014/15 season, this performance features Muti leading the Orchestra and Chorus and distinguished soloists in one of history’s most powerful and inspiring artistic works. A masterpiece whose staggering influence can be seen across classical music, it concludes with the famous Ode to Joy, which calls for understanding, peace and universal goodwill. The Chicago Symphony Orchestra is grateful to an anonymous donor for generously underwriting the recording of this concert in 2014.

Sibelius's solitary concerto is one of the most passionate tests for the violin virtuoso, one to which Maxim Vengerov is more than equal. He captures the work's passion and its occasional quirky patches of the spookily sublime. His performances of the "Sarabande" from the Bach Second Partita and the "Ballade" from Ysaye's Third Sonata are admirable encores demonstrating his range and his elegant control. Daniel Barenboim's piano performance of the de Falla Nights in the Gardens of Spain is equally virtuosic, bringing out the work's structure as well as its local color. Placido Domingo's conducting is solid and serviceable. Barenboim ends the concert with three de Falla orchestral showstoppers--the "Farruca" from The Three-Cornered Hat and the "Magic Circle" and "Ritual Fire Dance" from Love the Magician. The Chicago Symphony perform throughout with their usual vigor and fine orchestral color, but are particularly remarkable in these three encores

These recordings are with two different orchestras (Mahler 1st with the Chicago Symphony and the 8th with the London Philharmonic). Tennstedt's live performances are much better than his studio versions of the same works, and it's wonderful to watch him coaxing what he wants from the players. Even though he conducts from the score rather than from memory, he always seems to be directly connected to the orchestra in an almost magical way. The sound is good in both performances, and there is a sense, on both occasions, of being present for something quite special. These are great performances.