Simon Steinhorst

Haulage dispatcher Freddy Sternthaler suddenly finds himself hopelessly involved in an absurd dispute in the art scene and experiences what is probably the worst night of his life on an odyssey through Vienna.

Julius, an eloquent young museum attendant loved by the people around him, invites his colleagues on a sailing trip on his aristocratic family's boat, but something goes wrong. Julius is not who he seems to be.

The silver screen is a window to the world — and the screen showing live surveillance footage is a window into the movie theater. Jannik is a projectionist. During his shifts, he uses surveillance cameras to keep an eye on the few moviegoers in the auditoriums. In reality, he’d prefer to see himself on the big screen. When he interacts with people, the line between game and reality becomes blurred.

When Marie’s father suddenly becomes a witch, they both have to learn what it means to use their skills for good.

Margarita and Güte live in an unhealthy and stagnant environment that they can neither leave nor change. Meanwhile, the radio broadcasts messages and the world awaits the launch of the spacecraft that will take humans to the edge of the solar system. When Maria falls ill, Margarita persuades Güte to do something, but they fail and become separated until they realize what the real hurdle is.

The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary's Baby, between its half-open doors and a phobia of fluids.

Smell of Burnt Milk

Late Night Alter

First Police Chief Inspector Vera Lanz, a Munich police detective, attempts to balance her professional and private life.

Bettys Diagnose