Natalie Berman

Hagar comes to visit her father who lives in a nursing home in Jerusalem. Unable to deal with his condition she looks at him and turns away, but a series of incidents forces her to spend the day in the building. First a mishap which makes her change her clothes, then an old woman stuck with her wheelchair in the hallway and then the head nurse that thinks Hagar is a Russian caretaker. She gets swallowed up in the work and slowly becomes part of the staff. The short visit turns into a journey between the narrow corridors of society.

An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.

Akiva and Shulem Shtisel, father and son, sit on a little balcony overlooking streets of the Geula neighborhood of Jerusalem. A year has passed since the mother died. All the other children have left the nest, and only Shulam and Akiva remain - quarreling, making up, and laughing about themselves and the rest of the world. All will change when Akiva meets Elisheva.