Margery Wilson

About a woman whose life is almost ruined by the insinuations of a small-town gossip and a brother who falls in with bad company. The film ends with the woman being saved by her upstanding physician husband, whom she meets when her theatre troupe becomes stranded in the town.

Girl is held at mercy of gang of crooks, her only friend being a half-wit. A murder is committed and blame shifted to the girl. The half-wit has seen it but cannot remember. When he is cured, his testimony frees the girl.

Ellen Shannon, the daughter of self-made Irish politician Pat Shannon, is engaged to Ted Breslin, but because Pat began his career as a menial laborer, Ted's mother, Mrs. J. De Barth Breslin, refuses to sanction the marriage. Heartbroken, Ted takes up drinking and gambling with "Poker" LeMoyne and Don Jackson, while Ellen attends a finishing school hoping to improve herself. While trying to elude her chaperone, Ellen unwittingly dashes into a man's hotel room, and from the window, she witnesses Don and "Poker" playing cards, while Ted lies unconscious from too much drink. When the two gamblers quarrel, Don kills "Poker," but Ted is accused of the crime.

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame.

Margery Wilson

Double Trouble is a 1915 American silent romantic comedy film written and directed by Christy Cabanne and stars Douglas Fairbanks in his third motion picture. The film is based on the novel of the same name by Herbert Quick. A print of the film is held by the Cohen Media Group.

Cliff Hudspeth, the leader of a band of outlaws in Arizona, has won his place by the killing of notorious gun-bullies. At their headquarters, in the Gila Mountains, in consultation with "Ace High," his lieutenant, he plans depredations on the neighboring settlements. Although Hudspeth is powerful, their rule is disputed by El Salvador, a half-breed, and his following of desperadoes. Desert Pass is the scene of many conflicts between the contending bands. Rumors of the arrival of miners with gold causes El Salvador to send "Cactus" Fuller, his henchman, to levy tribute by a hold-up, which is successful. Flushed with triumph, he boasts in the "Golden Fleece" saloon of the ignominies to which he would treat Cliff Hudspeth if he ever met him.

Jules Ingram ( William Desmond ), the sole survivor of an old Puritan family, seeks solace and forgetfulness in drink. Unable to pay his debts, Jules is driven from his house when banker Rufus Moore ( Robert McKim ) forecloses on the mortgage. Offered shelter by Mercy Reed ( Margery Wilson ), a woman who in her youth naively sinned and has remained rejected by the community ever since, Jules begins to reform. Climbing his way back to respectability, Jules attends church with Mercy, causing a storm of protest. Moore's wife Agnes urges the mob to violence, and as they attempt to tar and feather Jules and Mercy, Mercy delivers an eloquent speech condemning Moore as her betrayer. The mob then takes Moore as their victim, leaving Jules and Mercy in peace.

A small town marshal’s secret past as an outlaw comes back to haunt him when an old associate shows up and threatens to expose his former dark deeds.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

Dr. Dudley Duprez is a well-known Louisiana physician. His beautiful but wayward niece, Rose Duprez, is abducted by Paul Crenshaw, a friend of the doctor, and to prevent her shame from becoming known, Rose kills herself. Dr. Duprez learns her secret and determines to make Crenshaw expiate his crime. While traveling on a Mississippi River steamer, the doctor wins Mercedes, a beautiful slave, at cards. He takes her home and, passing her off as a distant relative, arranges it so that Crenshaw falls in love with the girl.

Buddy McNair is so enchanted by the newspaper photos of New York society beauty Mrs. Pat Dyvenot that he decides to leave Colorado with his newly inherited fortune, travel to New York, and win her heart. On the train, some gamblers, apparently aided by a pretty girl named Martha, cheat Buddy out of a large sum, and in New York, his lack of eastern polish makes him appear foolish.

William H. Thompson plays a likeable old lighthouse keeper who must contend with his less likeable fellow villagers. One of Thompson's acts of kindness is to bless the "scandalous" romance between hero and heroine.

William S. Hart was the great solitary Western hero of silent film who rode his horse off to new adventures once his job was done. In WOLF LOWRY, he meets a young settler played by Margery Wilson, herself a director in the early 1920s whose films are all considered lost.

A 1916 silent Western

Harvy, the heavy, and Bella, the ingenue, of a cheap theatrical company are encumbered with an infant girl. The husband, a worthless, dissipated character, annoyed by the presence of the child and the care the wife is compelled to give it. deserts them both. The show then "busts" and the mother and the infant are left stranded in a small California town.

That Something

Everett Nelson is a naive young farmboy. Following unjust treatment on the farm, he runs away to the big city. There he encounters a showman who decides Everett is perfect for the part of a bumpkin in his new play. Everett takes the role and becomes a big star. But there are complications...

Floss Brannon, expelled from college for mischievous conduct, marries Chester Framm, a struggling young student who aspires to be an orator. When Chester's salary as an insurance clerk proves insufficient for the couple's needs, Claire invents a complexion cream called "Angel Bloom." Deciding to combine Chester's oratory prowess with the promotion of Angel Bloom, Floss rents an elephant, coats it with the cream and plans to have Chester pitch the product from the back of the animal.

In this adaptation of Zane Grey's novel, adventurer Dick Gale (E.K. Lincoln) is traveling through the Southwest. He helps rescue Mercedes Castanada (Margery Wilson) from the clutches of notorious outlaw Rojas (Walter Long). Mercedes' fiancé, Captain George Thorne (Edward Coxen), entrusts her to Gale's care when he returns to duty.

Spaulding Nelson moves into an apartment after his uncle has been driven from it by the sounds of screams and whispers. Upon undertaking an investigation, he meets neighbor Barbara Bradford, whose sister Clara is being tormented by the recurring sounds of her dead husband Roldo's voice.

Jim Dodson, a poor workman, has been in the habit of begging a streetcar transfer in town, in order to ride home each night from work. Ford and Ransom, a couple of crooks, rob a store and among the things taken are a quantity of stamped envelopes with the name and address of the firm printed thereon.

A documentary exploring the origins of the pioneers of women directors during the silent era.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.