Hidekazu Tsumaya

When a free-spirited woman is arrested, an impressionable soldier is charmed into letting her go. But having risked everything to be with her and lost, his hopes of happiness soon turn into a jealous rage. With equal parts danger and desire, Carmen is an intoxicating cocktail that never fails to excite the senses. French mezzo-soprano Stéphanie d'Oustrac plays the seductive heroine with a rock ‘n’ roll attitude who bears more than a passing resemblance to Amy Winehouse. Spanish director Àlex Ollé’s production is conducted by Kazushi Ono at the New National Theatre Tokyo.

The Ring in Weimar enters its third round as a fairy tale of enlightenment and educational drama of a hero and antihero who seeks his origins and discovers his sexuality. What was meant to be a cheerful satyr play becomes a dream and trauma of re-encounters and voyages of discovery in breathtaking time lapse Wotan and Alberich can't let each other hate each other.

The Ring in Weimar enters the second round as a family saga, political thriller and search for myths. From children who plunged in the Rhine gold into a gruesomely beautiful world of norns, mermaids, dwarves, giants and gods, in "The Valkyrie" young men and women are caught up in the horrors of reality and the horror of war, whether in the family or on the battlefields, while trying to live their ideals. In "Das Rheingold" everything seemed to be palpable, the dream like the curse. In "Die Walküre" everyone and everything is under constant observation, a fascinating eye-play between great psychodrama and ancient tragedy. Siegmund and Sieglinde stir at the taboo, love is to be regulated by law and morality.