Lindsay Duncan

Edinburgh, Scotland, UK

Biography

Lindsay Vere Duncan, CBE (born November 7, 1950) is a Scottish stage and television actress. She is the recipient of three BAFTA nominations and one Scottish BAFTA nomination, as well as two Olivier Awards and a Tony Award for her work on stage. She has starred in several plays by Harold Pinter. Duncan's film credits include Prick Up Your Ears (1987), The Reflecting Skin (1990), City Hall (1996), An Ideal Husband, Star Wars: Episode I – The Phantom Menace, Mansfield Park (all 1999), Under the Tuscan Sun, AfterLife (both 2003), Starter for 10 (2006), Tim Burton's Alice in Wonderland (2010), About Time (2013), Birdman (2014), and Blackbird (2019). Outside of stage and film, Duncan appeared as Barbara Douglas in Alan Bleasdale's critically acclaimed G.B.H. (1991), Servilia of the Junii on the HBO historical drama series Rome (2005–2007), Adelaide Brooke in the Doctor Who special "The Waters of Mars" (2009), Anjelica Hayden-Hoyle in the BBC Two miniseries The Honourable Woman (2014), and Lady Smallwood on BBC One's Sherlock (2014–2017). She also portrayed Elizabeth Longford and Margaret Thatcher in the television films Longford (2006) and Margaret (2009), respectively.

Movies

Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry.

More info
A History of Britain
2000