W. Ray Johnston

Our Mutual Girl was unique. Not quite a serial, not quite a newsreel and not strictly an advertisement, it combined elements of all three. In 52 weekly one-reel episodes, running from January 19, 1914 to January 11, 1915, the Mutual Girl outwitted villains, saw the sights of New York, met with theatrical and political celebrities (who frequently helped her out of trouble) and tried on fashionable outfits in chic stores. The fashions were an early example of product placement, although apparently not paid placement.

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

The Oval Diamond

A good example of the clever light comedy Thanhouser produced for its Falstaff label, while other studios cranked out broad slapstick comedies. Harry Benham and Mignon Anderson were versatile and popular Thanhouser stars, here showing considerable skill in light comedy, a genre that invites plenty of satirical social observation such as the burgeoning beauty-salon industry here. Cinema technique shows much more intricate editing and freer use of closeups than just a year or two earlier.

The Flying Twins

Innocence at Monte Carlo

John Rapley, head of Associated Baking Companies, executes a commercial coup that raises the price of bread to 6 cents a loaf. The price increase has a devastating effect on Mary Quinn, a Valencian factory girl who supports her younger brother Joel and sister Norah. Because of the higher cost, Mary can no longer afford to buy as much bread as she previously could for her family, impacting her ability to provide for them.

When he goes to war, Theodore Pendergast is a snob. When he returns from the trenches of France, he is a democrat whose best friend is Butch McGuire, an ex-prizefighter and regular guy. Ted (as he is now called) takes Butch home with him to meet his father, and the old gentleman immediately has Ted committed to a sanitarium.

The film follows Ezra Greer, a middle-aged man who has worked hard since his youth. He cares deeply for his motherless daughter, Mary, but was unable to attend the annual commencement at her co-educational college. He awaits for her to return from college, but Mary leaves with her romantic interest, Jack Denbeigh.