Giuseppe Pirozzi

Andrea is a labor consultant and his married life with Lucia is winding down. Once a week Andrea crosses the border of the Neapolitan nightlife to give life to Octavia Meraviglia: the most famous drag queen in Naples.

Alba has Down's Syndrome and was left in the hospital when she was born. Thirty families rejected her before the court decided to entrust her to Luca: a Catholic — and gay — single man.

Anna is 13, on the keyboard of the piano she should learn to play are her tricks stolen from her mother. Her meeting with Peppino and Mariuolo will make her to take the step that separates childhood from the future.

Now in the Far North (i.e. Milan!), Alberto has accepted to manage a program for efficiency improvement in the Italian Post. He devotes all his time and all his energy to this noble task and neglects his wife Silvia, which of course annoys her beyond limits. Things do not fare much better in Castellabate where it is rather Maria, Matta's wife, who gets on his nerves by always blaming him for his lack of ambition. One day, due to a misunderstanding, Mattia is transferred to... Milan! And on whose doorstep does he land? Alberto's of course!

When Debora's ex-husband, a popular neomelodic singer, loses his life in a stage dive, she worries that her 11-year-old son Ciro may be showing symptoms of depression. Taken to a child psychologist, shy Tommaso, Ciro eventually confesses to him that it's not his father's death that has got him down, it's love for his classmate, the cute Ludovica. The two make a deal: Tommaso will help Ciro to win the affections of Ludovica, while Ciro will give Tommaso a hand at having a chance with his mother.

Tutto per mio figlio

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

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