Max Haufler

The search for a child murderer drags a once-respected detective into an all-consuming obsession.

Arrested for an unnamed crime, Josef K. is trapped in a surreal bureaucratic maze where justice is unknowable and guilt is assumed.

Willy Guggenbrühl is a meticulous bank clerk and an extremely shy person. Over time, this leads to his wife Margit becoming bored with him and eventually filing for divorce. Now the otherwise reserved Willy finally awakens from his lethargy and decides to win Margit back. On the advice of his old childhood friend Roger, he decides to make his wife jealous, which sets off a whole series of turbulent developments...

The farmer Christen, his wife Änneli, their sons Resli and Christeli, and their daughter Annelisi live together harmoniously on the Liebiwyl farm. The harmony is disrupted when Christen allows himself to be persuaded by the deceitful village clerk to speculate with his ward's money. As a result, all the money is lost, and the defrauded farmer has to pay the community for the damage out of his own pocket. This angers Änneli, whose great willingness to help is thwarted by Christen, who is becoming increasingly stingy. One harsh word leads to another, and soon the couple is facing a shambles. The children also suffer from the unfriendly atmosphere at home. Only a visit to church on Pentecost and the corresponding sermon make reconciliation possible.

The film traces Uli's progress from his humble peasant surroundings to the homes of the wealthy and prominent. The characterizations are convincing, and the comic interludes surprisingly subtle and believable for a Swiss film. The no-star cast doomed Uli Der Knecht from the start so far as American distribution was concerned. It was another matter in Switzerland, where the film was one of the year's top moneymakers. Uli der Knecht was based on a novel by Jeremias Gottbelf.

Four American soldiers stationed near a German village face death in the rape of a local girl and are defended by outside counsel Major Steve Grant.

The farmers of a village decide to postpone the construction of a new school in profit of a concentration to cheese production. From a novel by Jeremias Gotthelf.

They live behind the rails of the classification yard in a small and shabby hut. They take the days as they come, refuse to work on principle and pinch together their livelihood. The three tramps Dürst, Barbarossa and Clown are content with what they have and ignore the outside world, and so far they have fared well. Until now...

The trials of the wealthy Emmentaler farming family Jowäger, adapted from the 19th century novel of the same name by Jeremias Gotthelf (pen-name of Albert Bitzius), which was also published in two parts.

The further trials of the wealthy Emmentaler farming family Jowäger and their neighbors, adapted from the second volume of the 19th century novel by Jeremias Gotthelf (pen-name of Albert Bitzius).

This drama is set in Switzerland and chronicles a fight between an innkeeper and her husband, a chronic adulterer. The trouble begins when she wants to adopt a French orphan and he doesn't.

A man in his fifties returns from America to his native village. Everyone knows that in the New World he served a lengthy prison sentence for manslaughter. He retreats to an isolated quarry in the woods he inherited. There he lives like a hermit, gruffly disencouraging anyone to come near the place.

Three bums get played by the devil.

A mother wants to buy a bike for her son, but she doesn't have enough money.

Josef Rainer is a road worker in a mountain village in Liechtenstein. His wife Marianne works as a waitress in a restaurant to improve the meager housekeeping money. Some people ask themselves why she has married that poor devil since she could have married into money. But she stays to the keen wood carver. He works out fantastic objects of tree roots, but villagers jeer at him. The family dreams to get a cow of their own to be more independent. One day Josef scrapes together all savings and goes to the cattle market. Due to lack of money, a clever farmer palms a skinny, sick cow off on him. The children Hansli and his friend Ludmila take the cow to their heart. Ludmila even lends her name to the animal. Some time later Josef falls from a mountain and is unable to work for a long time. So a decision is made that cow Ludmila which produces no milk has to be slaughtered.

The burial of an old woman leads to several complications among family and friends.

Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.

The paths of guests and employees cross at the Palace Hotel in St. Moritz: A chambermaid experiences financial difficulties. A guest has been robbed. A thief is caught. An assistant cook is promoted to waiter. And there’s no shortage of love in this small world of the great Hotel Palace. Keeping an orderly eye over proceedings is the hotel’s beautiful patron, whose heart is in the right place.

Widowed baker Zürrer has to raise his three children, who all turn out to be disappointments to him in various ways.

Brothel-owner Chikita Hausmann is forced to flee a South American revolution and sets up a new “house of pleasure” in a sleepy Swiss town, where the local bigwigs queue up so enthusiastically that she placates scandalized wives by dubbing it the “Circle for Expanding Cultural Relations” and wins the naive estate-manager Philip Sprüngli’s heart. When a nearby jazz club run by local youths threatens to expose her clientele, Chikita cleverly sells her establishment to the municipality—transforming it into a youth center—then whisks Sprüngli off on another adventure to a revolution-torn South America.

If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.

After the death of his parents, Beat Matter grows up with the Escher family. Their son Dominik is his best friend. As a young man, Beat enlists for two years of service with the Papal Swiss Guard in Rome. Shortly before starting his service, he meets Dominik's fiancée Jacqueline at an Alpine festival. He falls in love, even though he knows that Jacqueline is already promised to someone else.

A German living in India during World War II is blackmailed by the English to impersonate an SS officer on board a cargo ship leaving Japan for Germany carrying a large supply of rubber for tyres. His mission is to disable the scuttling charges so the captain cannot sink the ship if they are stopped by English warships.

The old and sick detective superintendent Bärlach has to investigate the murder of his colleague Ulrich Schmied, who was murdered in the middle of the country road.