Ricardo Artipini

In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.

And what if I rejoice in my sadness? I confirm that this darkness is my true light. They don't let me take care of my loneliness. I got used to not having shade.