John Lupton

Highland Park, Illinois, United States

Biography

From Wikipedia, the free encyclopedia. John Rollin Lupton (August 23, 1928 - November 3, 1993) was an American film and television actor. Upon graduation from New York's American Academy of Dramatic Arts, Lupton secured immediate stage work. Then he was signed as a contract player at MGM in Hollywood. Lupton was lanky and handsome like James Stewart or Henry Fonda, but never achieved similar fame. In the 1954-1955 television season, Lupton appeared in several episodes as a college student in the CBS sitcom, The Halls of Ivy. In 1957, he was cast in the ABC western series, Broken Arrow, which ran for two seasons. In feature films he is primarily remembered for his role as "Sister Mary" in Battle Cry and Jesse James Meets Frankenstein's Daughter. Lupton also co-starred in 1956 with Fess Parker in Disney's The Great Locomotive Chase. He guest starred on several television series, including ABC's 1961-1962 crime drama Target: The Corruptors! with Stephen McNally and NBC's Daniel Boone. Description above from the Wikipedia article  John Lupton, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955