Alberto Díaz

Pelayo goes through life trying to direct reality as if it was the shooting of a movie, which is why he goes from one public place to another in this task. People react in crescendo to Pelayo with increasingly convincing results for him.

Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.

"Station of the forgotten" chronicles the relationship between Domingo, an old sailor stranded away from the sea and Pau, a teenager who finds difficult to fit in society. Their paths will cross at the old people's home where Domingo now lives, and where Pau is serving a community service sentence. They find eachother at a key point in their respective lives: Pau is negotiating the tricky path from adolescence to maturity, and Domingo, the equally tricky one leading from old age to death.

Jo, Ramon Llull

Et dec una nit de divendres

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.