Rodrigo Ortiz

Mario Martone signs direction and scenes of this new film-work of Verdi's masterpiece. On the podium of the Orchestra of the Teatro dell'opera in Rome its musical director, maestro Daniele Gatti. the new set-up of the opera to a libretto by Francesco Maria Piave is embellished with costumes by Anna Biagiotti and photography by Pasquale Mari.

Ernani is a love story about a young woman, Elvira, caught between three men: her lover, the nobleman-turned-outlaw Ernani; her guardian, the rich, elderly de Silva, who wants her for himself; and Don Carlo, the King of Spain who also has his eye on Elvira. Given the number of protagonists, it is also the story of a tragedy. Only 14 years after the premiere of Hernani, Giuseppe Verdi adapted Victor Hugo’s play into an opera to premiere at La Fenice, Venice in 1844. Ernani was an immediate and lasting triumph for the young Verdi, marking his prowess at adapting an historical event (the crowning of Charles V as emperor at Aachen Cathedral) to a psychologically convincing musical drama. The backdrop of three men paying court to one woman was the perfect foil for Verdi to explore the expressive qualities of three types of male voice. The tenor, the bass and the baritone.