Joey Murcia

While the rest of America slept, DIY filmmaker/musician Giuseppe Andrews has made over 30 experimental features. Set in some demented alternate universe (i.e. Ventura, California), they are populated by real-life alcoholics and drug addicts, trash-talking senior citizens and trailer park residents dressed in cow outfits and costume-shop wigs. Director Adam Rifkin creates a wildly surreal, outrageously funny and strangely touching portrait of a truly Outsider Artist inhabiting a world few of us even know exists.

"Baby Swiss is obsessed with a strange science fiction film. She fantasies about living in its futuristic ideals, and keeps a separate DVD copy in a strongbox under the house just to be on the safe side. Naturally, this drives her unattended husband to the local whorehouse, known as The Village of the Moon. There, he meets up with other unhappy men and drowns his sorrows in high priced call girls. In the meantime, Baby Swiss discovers a kind of platonic love with a like minded neighbor. He is so desperate to be part of her life that he will wait outside her window. Their relationship will turn on whether she cleans the glass, or closes the blinds. And all the while, a homeless Greek chorus champions the freedom of living on the streets, unencumbered by the mindless machinations of being part of this so-called “proper society”" (review excerpt by Bill Gibron)

Cat Piss centers on director Andrews’ newfound friendship with resident Wally Lavern. Under the premise that he would live with the man 24/7 and record their “relationship”, Piss provides the kind of retro-realistic view into the world of the marginalized that few films – let alone filmmakers – would ever dare discuss. As our director helps out around the decaying trailer, as Lavern has imaginary political debates with a broken TV, as flutes are practiced and cats are comforted, this is what the end of one’s days really looks like.

Giuseppe is working on some new tracks. He seeks advice from Ed. Turd Cramp.

Doily lives with his psychic wife Haley Comet. She does readings, and has sex with clients on the side. He spends his days dishing with his friends Terrace and Sabado. At the beginning of one memorable summer, Doily is chased by a bee. The insect eventually hunts down and kills his buddy Terrace, who is then brought back to life by a mysterious alien object. Next, a client of Haley finds his hair cut and shampooed - and he didn’t do it. Then a dinner party at friend Colby Jack’s turns weird when the host is transformed into a giant pot pie. In between, our hero is attacked by a monster and a household slipper, and rediscovers his love for crystal meth. But when buddy Terrace turns up again, this time as a talking VCR, Doily starts getting scared. While Haley considers all these events mere “freak occurrences”, her lover man is convinced they are signs that someone is trying to kill him.

"In this vignette oriented piece, a group of people discuss their own often unique perspective on life. Unlike other titles in his canon, Esoterica is completely apropos. Each sequence suggests the inner psychological struggles of seemingly normal people, the whole “private conversation in their head” thing given new and startling voice over reality. They are talking to themselves - and responding. All the standard players are here - icons from the past (Vietnam Ron, Walt Dongo) as well as new faces (Nolan Ballin, Sara Flanders) fresh and buoyant with the boy genius’s love of language. Together, their paint a stunning portrait of human frailty and mental mania." (review excerpt by Bill Gibron)

When a lucky cow wins an all expense paid weekend at a local hotel, it can’t believe its good fortune. It gets to relax, unwind, and avoid a trip to the slaughterhouse - at least for a few days. Of course, it couldn’t imagine the menagerie of madmen it would run into. Down the hall is a pair of drug addled dimwits who are desperate for something to eat. The cow becomes their main focus. Meanwhile, two different spree killers are wrecking havoc. One murders at the command of some erroneous bath linen. The other listens to a voice inside his shoe, the instructions resulting in even more dead bodies. All the while, our contented animal tries to accommodate everyone’s needs, which typically revolve around a room service meal of meat and potatoes.

Gregory is having problems with his mom and dad. He’s getting older and more senile by the day. She is sleeping with live-in handyman Richard. Even worse, all have failed dreams and aspirations. Father wanted to be a poet. Mother had visions of being a singer. And Richard tried a career as a rapper under the name ‘PO Box’. When a secret from the past threatens their domestic bliss, the police must be called in to quell the storm.

Holiday Weekend centers on how people relate to each other. A young couple quibbles over an impulsive decision to steal a coffee machine, while the victimized pair sans Sanka plays an unusual game of affection and abuse. A young man with werewolf-ism moves in with a fledgling songwriter, while elsewhere, an injured individual with Tourettes seeks council from a high priced lawyer. All the while, some elderly homosexual lovers reunite, dancing to celebrate the rekindling of their long dormant love. Giving us his spin on spirituality and the afterlife. Holiday Weekend is like several small sketches that add up to one incredible portrait.

Tired of living under a bridge like a troll, middle-aged homeless man Ronzoni decides to reconnect with his roots. Buying a bowling ball as a Christmas gift, he heads out to visit his retired father and distant sister Agatha who live in a local trailer park. Unfortunately, they both think he’s a wholly worthless bum. When a large box lands on his chest, Ronzoni is stuck behind his dad’s double wide and no matter how hard they try, they just can’t seem to get the empty cardboard container off his body. Wanting to escape his incessantly whining, the pair head off to a hotel. There, Agatha meets Nicholas, an in-room escort who opens her eyes to the joy of music and the fun of making anti-porno.

A man dies of cat food poisoning and has a panoramic life review.

“Toggle Switch is a little person living in a world of her own design. Deadly with pets, and equally unhinged with her family, she spends her days watching exercise videos and her nights in pursuit of bizarre extracurricular activities. Along the way, we meet a bearded 12 year old, a closet junkie, and the skinniest fitness guru in the entire self-help universe, all getting by on chutzpah, camaraderie, and a healthy dose of vagina-based show tunes…Orzo is by far the funniest thing Giuseppe Andrews has ever done. It’s a comedy plain and simple, a character-based humoresque that proves Andrews’ mantle as both a writer and a wit.” (review excerpt by Bill Gibron)

The country is at war over a natural resource. The strange cosmic force known as "Schoof" is slowly making the human race insane. The news has ceased to make sense. "Schoof" has affected each member of Tracy's family, leaving her unaffected. That's what she thinks as a scientist, a test subject and a group choral will be the galaxy's only hope.

Material from this film (as well as other sequences previously shot but never used in other films) were eventually edited into what became Period Piece in 2006.

“Two wannabe ‘gangsta’ white boys share a trailer – and a case of squirrel-influenced stomach flu. An old man channels the spirit of a horse known as Mr. Ted and writes a hate-filled tome in the steed’s name. Two meth dealers discover a rat in their lab and one adopts it as his very own pet. A young man must face the fact that his mother is a whore and his father is her pimp. A middle aged man must face the fact that his mother is dying of emphysema and losing her marbles. And what do they all have in common, aside from an addictive need to drink the latest alcohol-laced specialty beverage, Pussy Juice? Why, it’s the unending craving for sex and/or sexual fulfillment – and sometimes, not in the way “normal” people view such biological and physiological desires.” (review excerpt by Bill Gibron)

On his 62nd birthday, confirmed lazybones Herbopolus grabs his nest egg and buys himself a new trailer, a fine 5th Wheel. Now all he has to do is sit back and wait for the Social Security checks to start rolling in. In the meantime, his insane brother Bananas Foster escapes from the Catalina Mental Institution and, looking for a place to hole up, gets Herbopolus to let him stay in his swanky new digs. So does their dad, a sex change octogenarian who's lesbian lover has kicked him out of the house. When the government fails to come through, they resort to collecting and recycling aluminum cans to make ends meet.

When we first meet the characters from Golden Embers, they are people in transition. One is a bride to be, hoping her ex-addict brother can stay sober long enough to walk her down the aisle. The sibling is a sexually obsessed dope fiend, desperate for any kind of psychosexual release - and lots of wacky white powder. Locked up in a hotel room, freebasing his sordid memories and many erotic needs, he slowly comes unglued. Soon, we are witnessing rampant mood swings, murderous hallucinations, and the world's most misguided nuptials, complete with dancing.

“After a fall at a local bar, an elderly alcoholic asks his adult grandsons for one last favor. Seems several years ago he took five hookers to a remote hotel suite known as the Pony Room and spent the entire evening satisfying their every need. Now, nearing death and continuously soused to the gills, he wants Ed and Burt to take him back there for a weekend of reminiscing. The road trip will be difficult, especially with Grandpa’s lack of control (bowel or otherwise), but what waits there is even more disconcerting – a cursed can of chicken noodle soup.” (review excerpt by Bill Gibron)