Augustė Šimulynaitė

The year is 2000. Aleksandra, a young prosecutor, is handling a human trafficking case. She must conduct two interrogation sessions in one day. First, Aleksandra faces Andrius – a high-school friend turned suspect, who provokes and undermines her strategy, not leaving her any breathing space. During the second interrogation, she talks with Viktorija, the victim who has personal reasons to distrust law enforcement.

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

On New Year’s morning, Sharunas wakes up next to the charming guy Martin, while his girlfriend Iveta is in the shower. Sharunas can’t help but wonder if things will ever be the same again. Meantime, Martin wishes him a Happy Next Year.

A musician on his way to meet a fellow fiddler, encounters two girls and is taken aback by their talks about afterlife. The musicians walk towards a village observing events, unable to discern phantasy from reality. Later, both men attend a funeral, where archaic rituals intertwine with the practice of marrying a dead girl to an ‘afterlife groom’.

Matas returns to his neighborhood in Vilnius (Lithuania) after fleeing the war in Ukraine. He finds his wife and the friends he left behind when he joined the conflict.

After being wrongly fired from Melta Cosmetics, an international beauty brand, Ana is determined to clear out her name. While chicken raising works as a cover, Ana runs underground business - Troll Farm, made to destroy shady corporations with a fake personality - Judith. The Farm sucks all Ana’s savings and time, so her beloved daughter keeps facing an empty chair at dance competitions. Throughout the season, Ana will get dirt under her nails - blinded by desire for revenge, she is turning into the same manipulative beast she’s fighting.