This video essay focuses on the landscapes of the Sonoran Desert—and the project of a border wall between the U.S. and Mexico—as a way of investigating the manner in which something as seemingly generic as a wall can take on particular political and affective forms. This short provocation explores the ways that violent and distasteful objects create, and subsequently come to characterize, malevolent spectacles.
This film investigates the serious play of historical reenactments and their quest to tap into what has been referred to as “magic moments” or “period rushes." These brief flashes are moments of embodied, performance-induced spatial and temporal blurring that allow the reenactor to feel as if they are within the place and time that they are portraying. How might these living history events act as reverent rituals to evoke and honor the memory of constructed socio-political ancestors?
Documentary about space colonization: a voyage across our planet, into the stars and beyond.
