Takes the music from the studio to the screen with gorgeous visuals and a sense of heightened reality envisioned by Musgraves and Zeinali and shot by Academy Award-nominated cinematographer Matthew Libatique.
Having grown sick and tired of his centuries as Dracula's lackey, Renfield finds a new lease on life — and maybe even redemption — when he falls for feisty, perennially angry traffic cop Rebecca Quincy.
