Ann Savage

Mr. Dithers is trying to encourage a businessman to build a war-time manufacturing plant on land he owns while Dagwood tries to prevent the businessman from learning his daughter is involved in a local theatre production.

The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.

Two reporters search for a missing body in a wax museum.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

Head over heels in love with a stern and cold older businessman's young wife, a reporter is seduced into conspiring to murder him so she can inherit his estate, while pinning the murder on another businessman.

Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.

A meek reporter happens upon a murder, an escaped gangster and a stolen jade chess set.

An ex-cop is suspected of murder after he is found with a dead woman. The private detective is on the run -- attempting to prove his innocence.

Blackie is arrested when retrieving stolen gems from a safety deposit box for a friend.

From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.

A mystery grows after a bank robbery car leads investigators to a carnival sideshow.

Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour "episodes," and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O'Brien. In Pier 23, O'Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film's two-part structure leads to repetition and predictability, but it's fun to watch TV's "Ward Cleaver" making like Philip Marlowe.

A special agent hunts a female outlaw out West.

The Lone Wolf goes undercover in Egypt to foil a Nazi plot to bomb and disable the Suez canal, which is vital to England's war effort.

Reformed jewel thief the Lone Wolf investigates the murder of a playboy who was blackmailing three socialites.

Jungle Jim searches for a female Army captain who's gone missing.

An author and a literary agent become involved after selling film rights to his racy book.

Kelly Jordan and Andy Melton are former AAF fliers operating a cargo service over the South American mountain ranges in order to get enough money to return to Texas and buy a commercial line.

Medical researchers Jerry Evans and Walt Hedges are assigned by a pharmaceutical company to work at a secret laboratory on a remote South Pacific Island in order to produce penicillium, the mold from which the magic drug penicillin is derived.

Documentary on the life and work of B-movie filmmaker Edgar G. Ulmer, spanning from his early life to his last film.

Laying on the Missouri-Arkansas border, the neutral Border City, its female mayor and city council, take no side in the ongoing Civil War and they're prepared to hang any troublemaker, Yankee or Confederate, who stirs the townsfolk up.

Krag Sabine has aroused the wrath of all the ranchers by stealing their land with the aid of his henchmen, led by Ace Barco; when Lafe Martin objects, the outlaws shoot him down. Lucky Randall promises Ann Martin he will avenge her wounded father. He sets up headquarters on the Martin ranch and sends for Bob Merritt and his men, the Texas Playboys (Jesse Ashlock, Leon McAuliffe, Cotton Thompson, Junior Barnard and Luke Wills). Krag organizes his remaining men for an attack on the ranch. Lucky's men get the upper hand but Krag escapes with Ann as his hostage.

The Unwritten Code is an offbeat, better-than-average Columbia wartime "B" picture. Though Ann Savage and Tom Neal are top-billed, the central character is supporting-actor Roland Varno. He plays a Nazi spy who sneaks into the U.S., hoping to release hundreds of German prisoners. He fails, but not until plenty of bullets have been spent. The most interesting aspect of The Unwritten Code is the casting of Savage and Neal as the "good" characters: in 1945, these two cult favorites would play the decidedly unsavory protagonists of the film noir classic Detour.

A young man in Alaska finds himself accused of murder, and must fight to clear his name.

In this comedy, a garbage truck driver stumbles across $5,000. He decides to use the money for a wild night on the town. He and his girlfriend do not know that the money represents the spoils of a blackmailer's scheme.

This 1946 film stars Phillip Terry as a war veteran, who is persuaded by machine politico Donald MacBride to run for alderman. Ann Savage plays the "honest government functionary" with whom the hero falls in love. Terry finds that disreputable politicians are using his war record to push through some shady legislation, so he renounces these hacks.

It's World War II and there is a severe housing shortage everywhere - especially in Washington, D.C. where Connie Milligan rents an apartment. Believing it to be her patriotic duty, Connie offers to sublet half of her apartment, fully expecting a suitable female tenent. What she gets instead is mischievous, middle-aged Benjamin Dingle. Dingle talks her into subletting to him and then promptly sublets half of his half to young, irreverent Joe Carter - creating a situation tailor-made for comedy and romance.

Satan's Cradle was the fourth of producer Phil Krasne's "Cisco Kid" programmers for United Artists. This time, Cisco takes on a frontier megalomaniac, shyster lawyer Steve Gentry, who has taken over a mining town. Gentry's confederate is dancehall girl Lil who is as deadly as she is beautiful. When itinerant preacher Henry Lane is beaten to a pulp by Gentry's goons, Cisco and Pancho move in for the kill.

Former Hopalong Cassidy sidekick Russell Hayden retains his nickname of Lucky in this average entry in his short-lived starring series for Columbia.

The Two Senoritas from Chicago are Gloria and Maria. When their goofy pal Daisy Baker passes off a discarded Portuguese play manuscript as her own, producer Rupert Shannon agrees to bankroll the production. With stars in their eyes, Gloria and Maria pretend to be a pair of Portuguese musical comedy stars, thereby winning parts in the new production. The fun begins when the play's original authors sell the same manuscript to a rival producer.

The American Beauty Association is about to hold its annual trade show in New York City and songwriter "Tiny" Lewis (Billy Gilbert) has just sold a song to Ina Ray Hutton ('Ina Ray Hutton'), the leader of an all-girl band headlining the show. Lewis shares an apartment with Bradley Miller ('Ross Hunter') and Michele (Fritz Feld), an artist, and Miller has just invented a non-staining lipstick called "Rosebud." Preparing to get a booth at the show, Miller is told by J. Webster Hackett (Alan Mowbray), a very devious "Cosmetics King,", intent on selling a big lipstick order to buyer Edgar Pomeroy (Thurston Hall), that it will cost him a $1000 to join the association and get a booth, which is about $999 more than Miller and his roomies have between them. But Miller's beauty-parlor girl friend, Janet Wilson ('Ann Savage'), meets factory-owner P. G. Grimble (Hugh Herbert), and money is soon no issue.

Mystery writer Barry Craig (Allyn Joslyn) and his wife Jane (Evelyn Keyes), prefer solving crimes rather than writing about them. They get a chance when killings plague the fashion photography studio of Ralph McCormick (Edmund Lowe). After his secretary, Julie Taylor(Anita Louise) reports an attempt to murder her there, Erika McCormick's (Ann Savage) Aunt Isabel Fleming (Mary Forbes) is stabbed and the evidence points to Madge Lawrence (Bess Flowers) an older model and an apparent suicide. Police Inspector Joseph Clinton (Frank Craven) declares the case closed...but then Erika is murdered.

A poisoned aspirin creates headaches for a woman who received the deadly pill from a stranger, then passed it on to her uncle.

An actor becomes a suspect in the murders of four New Yorkers injected with rattlesnake venom.

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

Crime drama starring Rod Cameron as 43-year-old Bart Grant, a tough 1950s New York City police lieutenant.

Gang Busters is a 30 minute television series, hosted by Chester Morris, that aired on NBC from March 20 to Oct. 23, 1952. The series dramatized FBI cases.

Mr. & Mrs. North is an American comedy/mystery television series that aired on CBS from October 3, 1952 to May 25, 1954. The series centers on Jerry North, a mystery magazine publisher who thinks he is a good amateur detective, and his wife, Pamela, as they solve crimes in New York City.

Lovable schemer Zack Morris leads his pals on adventures at California's Bayside High School. The friends navigate relationships, final exams, school dances, breakups and more while frequently frustrating their principal, Mr. Richard Belding, who does his best to keep them in check.

Death Valley Days is an American radio and television anthology series featuring true stories of the old American West, particularly the Death Valley area. Created in 1930 by Ruth Woodman, the program was broadcast on radio until 1945 and continued from 1952 to 1970 as a syndicated television series, with reruns continuing through August 1, 1975. The series was sponsored by the Pacific Coast Borax Company and hosted by Stanley Andrews, Ronald Reagan, Robert Taylor, and Dale Robertson. With the passing of Dale Robertson in 2013, all the former Death Valley Days hosts are now deceased.