Arai Yuko

A lonely man cries, a lonely woman laughs. A young salaryman is fed up with the mundane but secure life he leads and goes AWOL from work. On a whim, he calls Noriko, a woman he once played with, and goes to take care of her in bed with a cold. Noriko is cheerful and innocent, and he begins to tell her about his daily frustrations and his dissatisfaction with society, which he has not even told his wife... Director Sugiura has put a lot of effort into creating appealing characters in this film. The film uses elaborate dialogue and UFO catchers to portray the sense of discomfort that most people today feel at one time or another, that even if they have no clear grievances, they will be taken in by society and become boring salarymen.

If you're crying alone today, may you laugh with someone tomorrow? It's the end of November and Ayumi, a fourth-year university student hasn't received a job offer. She meets her childhood friend, Chiharu, at a company interview as the last chance. She tells her that their mutual friend Iwata is in a mental hospital. Ayumi is disappointed to hear that her boyfriend Takuya, who lives with her, is working at the end of the year and beginning of the new year, but she receives the results of the exam. Meanwhile, Chiharu gives Iwata a sketchbook that she was given before she was hospitalised, with a gift in return. It's not all good, but it's not all bad either. The film is a series of episodes that subtly capture the reality of life. The film digests a timely topic without losing its newsworthiness and makes it a film that everyone can relate to.