The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.
Smrť prichádza v daždi
A group of children discover the new continent of the world, uninhabited by adults. Soon, many other children are joining them in that new paradise, leaving their parents and other adults baffled on all remaining continents.
The son of a charcoal burner was once prophesied as a child to marry the daughter of a king. The king tries to prevent this by all means.
